Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Alec Baldwin
Director: Christopher McQuarrie
Writer: Christopher McQuarrie
What really surprises me about the Mission: Impossible franchise is how fresh and innovative it has remained in its 20-year history. Against all the odds, Mission: Impossible has managed to get bigger and better with each instalment (excluding John Woo’s ridiculously over-the-top contribution), Tom Cruise has remained a fun and entertaining action star with no sign of ageing or slowing down, and different directors with varying styles have allowed the franchise to evolve by adding their own unique spins. From Brian de Palma’s psychological thriller to J. J. Abrams’ hectic action to Brad Bird’s visual creativity, Mission: Impossible has proved itself to be an adaptable series and thus each entry is able to be new and original in its own way. This time around Christopher McQuarrie has taken the helm, a director whose style I was not very familiar with until I saw this film. Under his direction Rogue Nation offers its own unique approach for the exciting, over-the-top action that has become a staple of Mission: Impossible and is more than worthy as an addition to the franchise.
Ethan Hunt (Tom Cruise) is back and has caught the attention of The Syndicate, a secretive criminal organisation described as “an anti-IMF”, led by Solomon Lane (Sean Harris). Upon being captured by them, Hunt crosses paths with Ilsa Faust (Rebecca Ferguson), a Syndicate operative who might actually be on his side and who helps him escape. While this is happening CIA director Alan Hunley (Alec Baldwin) has set out to disband the IMF, forcing Hunt to go on the run as he sets out to take The Syndicate down. Along the way he enlists the help of his old teammates Benji (Simon Pegg), Luther (Ving Rhames) and Brandt (Jeremy Renner) as they set out to do what they do best, the impossible.
Although I was not familiar with McQuarrie’s abilities as a director before watching this film, I was blown away by what he offered in Rogue Nation. He utilises a style that has been described as classicist as he employs an old-school method of anamorphic cinematography and of allowing the action to simply play out rather than resorting to shaky-cam or rapid editing. This method allows the grand size and epic stakes of the action to really sink in, made all the more impressive by the frequent use of practical effects and real stunts. Watching Ethan Hunt holding onto the side of a flying plane or holding his breath as he navigates his way through an underwater computer are all the more intensive to watch thanks to the focus and emphasis McQuarrie’s direction provides. One particular fight scene set in an opera house demonstrates his proficient ability to take advantage of his locations and use them to heighten the action. This is a director who knows how to take his time with the action without ever slowing it down, a talent that really pays off in this film.
The story itself does struggle at points, but it is all in all a more interesting and compelling story than is usually offered by this franchise. As Hunt goes head-to-head with The Syndicate he finds that they always seem to be one step ahead of him and that things may not be as they appear to be. Unlike some of the other female characters in the previous instalments whose roles amounted to little more than eye candy, Ilsa Faust stands as a fully-rounded character who adds an interesting dynamic to the story. During his encounters with her Hunt is never sure where Ilsa stands, whose side she is on or what her motivations are. Learning more about her character and waiting to see what she will do next is one of the most enjoyable parts of the film. There were a couple of weaknesses that bothered me; the villain was probably its weakest point with Solomon Lane leaving not much of an impression beyond an intimidating stare, plus I would also have really liked it if the film actually gave Alec Baldwin something to do. However the positives outweigh the negatives in this case and provide an overall entertaining and thrilling experience.
The Mission: Impossible franchise is very good at being exactly what it has set out to be, a series of fun and exciting summer blockbusters with mind-blowing action. Rogue Nation is an excellent addition to the series and does an admirable job of putting a new spin on its traditional staples. The action is just as exhilarating and over-the-top as ever, Tom Cruise is as awesome and fun as ever and the spy stuff complete with masks and gadgets is just as cool and creative as ever. The inclusion of a gripping story with one particularly interesting character was a welcome addition and made Rogue Nation without question one of the strongest entries in the franchise. It may not be completely perfect but it was still the film I wanted to see when I entered the cinema. Anyone else who expects to see a fun summer blockbuster will not be disappointed.