Truth

Cast: Cate Blanchett, Robert Redford, Topher Grace, Elisabeth Moss, Dennis Quaid, Bruce Greenwood

Director: James Vanderbilt

Writer: James Vanderbilt


The questions of fact vs. fiction, honesty vs. bias, and journalistic integrity are very hot topics in today’s political and social climate. In an age where opinions are often mistaken for facts or facts are viewed as opinions, where unchecked citizen journalism continues to be problematic, and where people feel compelled to ignore evidence and undermine the reliability of stories they don’t agree with, it is enough to make you wonder whether the truth even matters anymore. I found the casting of Robert Redford to be an interesting choice due to his role in All the President’s Men, a film about the pursuit for truth led by two journalists that led to the downfall of Richard Nixon. It is a film that celebrates the honest and principled art of journalism as exemplified by Woodward and Bernstein, both of whom are contemporaries of Dan Rather. Although Truth is not nearly as strong a film as its predecessor, its message is clear. The age of noble journalism has long since departed.

The film covers the real life story of Mary Mapes (Cate Blanchett), the producer of the CBS news programme 60 Minutes, and the scandal that destroyed her career during the 2004 presidential election. She enlists the help of the famed veteran news anchor Dan Rather (Robert Redford) and her handpicked research team including Mike Smith (Topher Grace), Lucy Scott (Elisabeth Moss) and Colonel Roger Charles (Dennis Quaid) to report a story on President George W. Bush as he seeks re-election. The story they run accuses Bush of exploiting powerful connections and political advantages during his military service in order to avoid being drafted for Vietnam in the early 70s. Once they report the story however, their evidence is brought to question leading to an inquiry. As the procedures, intentions and principles of these journalists are condemned and their reputations are ruined, the larger issue at stake gets lost until the point when the entire purpose of their original story becomes irrelevant.

While watching this film I couldn’t help but compare it to a superior film about journalism that came out this year, Spotlight. This might be unfair since the two films are in a way telling two different kinds of stories. While Truth tells of an incident when the ideals of journalism were defeated by bullying tactics, misshapen public perception and the bottom line, Spotlight is an instance where it actually succeeded in spite of them. However when I compared the two as narratives some of the weaknesses in Truth became readily apparent to me. While Spotlight allowed each of its main characters to be fully realised as crucial members of the team in creating their story, many of the journalists in Truth amount to little more than talking heads. Grace’s character serves as a vessel for some of the impassioned speeches that seemed to be trying to hard while Moss’ character only exists to ask questions for the benefit of exposition. Those who follow this story can quite easily work out the major themes being explored but, unlike Spotlight, Truth feels the need to hammer the point in as hard as it can. It is an important and a relevant point but it isn’t one that needs to be preached in order to be conveyed.

The redeeming qualities of this film are Blanchett and Redford in the leading roles. While Mapes is clearly a smart and capable producer with clear principles and a passion for what she does, she is not portrayed as a paragon of truth. As the investigation into the story proceeds, the film acknowledges that mistakes were made and corners were cut because Mapes believed so strongly in the story’s importance. They even raise the question of whether her politics clouded her judgement as a producer. Blanchett is, as usual, stellar as her character is thrown under the bus by her superiors and is forced to defend her actions to a panel that doesn’t even care about the truth of the story. Redford meanwhile brings the right amount of gravitas and class to the role of an accomplished and beloved news anchor facing the regrettable end of a distinguished career.

While Truth is not a great film, it does raise important points. The subject of the inquiry is the mishandling of the allegedly fabricated documents proclaiming that Bush never actually served his time in the military. As the doubt over these documents is exploited to undermine the entire story as well as the journalists who led it and the concerns of the network’s parent company lead the top executives to adopt a policy of appeasement and scapegoating, the one question that is never brought up is whether the story is actually true. The film invites the audience to debate the very purpose of journalism and how far the pursuit of truth and the greater picture has been corrupted. That the film came out just in time for another election year is no coincidence.

★★★

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