Alice Through the Looking Glass

Cast: Mia Wasikowska, Johnny Depp, Anne Hathaway, Matt Lucas, Rhys Ifans, Helena Bonham Carter, Sacha Baron Cohen

Director: James Bobin

Writer: Linda Woolverton


Lewis Carroll’s Alice’s Adventures in Wonderland is one of my favourite stories and I absolutely love the Disney cartoon to death. Although this story has been adapted to the big screen time and time again, the 1951 animation is one of the only true successes. Disney understood that it is the madness that makes Wonderland work and fully embraced it. Wonderland is a world of nonsense where logic and reason go to die. It is a world where up is down, black is white and wrong is right. The fun comes from watching the rational, level-headed Alice attempt to apply reason to her encounters only to get lost in the insanity of it all. This is something that the Disney cartoon appreciates but that the 2010 Tim Burton film does not. Here the ingenious surrealism of Carroll’s work takes a backseat to something altogether more boring and trite: prophecies, politics and civil war. The film didn’t work because it attempted to introduce logic and sense to a world where it didn’t belong and created a story that was illogical and nonsensical. Sadly the sequel makes the exact same mistake.

Three years after taking over her father’s role in his trading company, Alice Kingsleigh (Mia Wasikowska) returns from China to find that she will lose her family home unless she agrees to sell her ship and stake in the company. Unable to cope with this ultimatum, Alice runs away and happens upon Absolem (Alan Rickman) who leads through a mirror back into Wonderland (I refuse to call this world by the name they use in these films). There the White Queen (Anne Hathaway), the Tweedles (Matt Lucas), the Cheshire Cat (Stephen Fry) and all her other friends inform her that the Mad Hatter (Johnny Depp) is in poor health due to the loss of his family in the Jabberwocky attack. Alice sets out to meet Father Time (Sacha Baron Cohen) and persuade him save the Hatter’s family. After he turns her down Alice takes the Chronosphere and travels into the past herself to change history. Time however is hot on her heels and is intent on stopping her before she destroys the very fabric of the universe.

Everything that was wrong in the previous film is wrong in this one. The colours are a little brighter and there are occasional glimpses of a world that actually resembles the Wonderland from Carroll’s stories but nevertheless the core problems remain the same. There is no madness, no wonder and no magic in this movie. Wonderland is a world of nonsense inhabited by crazy and fantastic characters where strange and wonderful things happen; being in Wonderland should feel like being in a dream. Instead the film tries to bring you down to Earth with its stories of Alice’s struggles as an independent woman in the oppressive Victorian world and of the tragic histories of the Mad Hatter and the Red Queen. If there has ever been a franchise that should not be restrained by the confines of a plot, Alice in Wonderland is it. A plot by its very nature has to be logical, coherent and structured. Wonderland is none of those things. Ironically the film is also none of these things but for the wrong reasons!

The film introduces the concept of time travel which should have made for an incredible adventure by allowing Alice to explore an entirely new dimension of Wonderland’s insanity. But then we learn that there are rules that have to be followed because the past cannot be allowed to change and paradoxes cannot be allowed to happen or else the very fabric of the universe will be undone or something like that. To make matters worse the film decided to introduce even more logic into the universe by explaining why some of these characters became “mad” in the first place. I really wish this film had a face that I could slap because it infuriates me how they can take something so wonderful, fun and creative and produce such a bland, clichéd and joyless story. This very idea of the Mad Hatter having father issues or the feud between the Red and White Queens being caused by some terrible secret is just so galling to me as it stomps over everything that made the original stories fun. It isn’t imaginative, inventive or surreal; it’s just overdone and dull.

Wasikowska’s Alice continues to be disinterested in the world around her and the incidents she experiences. She turns in the same one-note performance that made her a bore in the first film even though the film wants her to be some kind of strong, spirited figure who defies 19th century norms. Putting aside that I’m not convinced a feminist message is warranted in a story that has no point, the character in this film does not earn this status in any meaningful way. Many of the side characters from the first film return in this latest instalment and, if you enjoyed any of them the first time around, I suppose you’ll like them fine here. For me the only one who even came close to resembling her literary counterpart, and by extension the only one I found to be at all enjoyable, was Helena Bonham Carter as the Red Queen. Father Time is the biggest new character they introduce and he is actually quite interesting at first with his clockwork design and Werner Herzog accent. However there’s nothing about his personality that stands out because, just like the rest of the characters, it’s too grounded in logic and reason.

The kindest thing I can really say about this film is that it didn’t enrage me as much as the first film did. At least this time the drab, grey world of “Underland” (God, how I hate that name) has been replaced by actual colour. There was also the odd occasion when a character would actually do something that their character would do, that is something strange and nonsensical. Overall however this film was a bore and a displeasure to watch from beginning to end. It has next to nothing to do with the inspired, fantastical world that came from Carroll’s imagination and fails to conjure up anything even remotely interesting, fun or creative to take its place. It fails to capture that sense of imagination and wonder that is so crucial to making Wonderland the dream-like adventure that it should be. I believe that one of the most offensive things a film can possibly do is take a story that holds immeasurable promise and possibilities and then squanders it. This is why Alice Through the Looking Glass is such an offensive movie to me. The only reason this film even exists is to capitalise on the success of its equally infuriating predecessor. This film is unimaginative and lifeless and is entirely unworthy of the material it is based on.

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