Cast: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Cecily Strong, Andy Garcia, Charles Dance, Michael K. Williams, Matt Walsh, Chris Hemsworth
Director: Paul Feig
Writers: Katie Dippold, Paul Feig
Before delving into this film I suppose I ought to address the absurd controversy it has provoked. There seem to be two separate camps of thought on the Internet that have made the most noise on this issue. One regards the original Ghostbusters movie as some kind of sacred holy text that must never ever ever be violated by any kind of a remake or revival. The other is a fanatically extreme form of feminism that believes anyone who could possibly dislike a movie starring four women for any reason must be a misogynist. Both sides are as ridiculous as they are irrational and the uproar they created is one worthy of a South Park episode. Anyway, my basic attitude leading up to the movie was this: I love the original Ghostbusters movie but was open to the prospect of a female-led reboot. I like the director and the actresses they chose but didn’t like the trailer they released. However good movies get bad trailers all the time (and vice-versa) so I went in hopeful that the movie might still end up being good. In the end I thought it was okay.
Erin Gilbert (Kristen Wiig), a physics professor at Columbia University, is being considered for tenure when she discovers that a book she co-authored about the paranormal has been republished. Fearing for her reputation she contacts her collaborator Abby Yates (Melissa McCarthy) with whom she hasn’t spoken in years. Abby agrees to take the book out of circulation if Erin agrees to help her and Jillian Holtzmann (Kate McKinnon), an eccentric engineer, investigate a claim of paranormal activity. They head over to a museum where they discover an actual ghost, confirming everything they had theorised years ago. They decide to follow through with this discovery and open a business on the upper-floor of a Chinese restaurant for the study and capture of ghosts. Joining them is Patty Tolan (Leslie Jones), the subway worker who gives the team their first lead, and Kevin (Chris Hemsworth), their attractive but dim-witted receptionist. Together they face a great, otherworldly threat that only the Ghostbusters can stop.
As ludicrous as the controversy is, it unfortunately left an impact on this film. There was so much pressure for this movie to match up to the first Ghostbusters that it ended up trying to appease the fans with awkward call-backs and forced cameos. It’s a shame because whenever the movie actually did its own thing, it worked pretty well. The dynamic between the four leading ladies worked for the most part and could have been taken even further. The action is a lot more creative and inventive than in the original and is often fun to watch. The visuals, while hardly groundbreaking, are decent and match the style of the original while still looking different enough to give the movie its own tone. Not everything new works well (the villain is bland and forgettable) nor is everything old stale (Slimer’s cameo rocks) but ultimately the movie’s biggest weakness is that it is too afraid to be its own movie.
The movie’s second biggest weakness is the inconsistency in its humour. For every joke in this movie that works, there is one that does not. I hope that whoever was in charge of the trailer got sacked because, in a movie that has some very funny jokes and moments, they were somehow able to cherry pick the absolute worst and most cringeworthy of the bunch. The inconsistency is present throughout the film and is often frustrating. Having Holtzmann snack on a can of pringles during their first ghost sighting is quite funny. Having that ghost puke on Erin is not. The movie is full of these moments where it temporarily wins you over with something smart or humourous only to lose you straight away with something stupid or banal. Near the end when the Ghostbusters were battling possessed parade balloons I found myself going along with it alright until the entry of the Stay Puft Marshmallow Man brought me out all over again. It is this mismatch that made it difficult for me to really get drawn into the movie.
The movie’s best resource is its main cast, which played a vital role in saving this movie from its lesser qualities. Wiig and McCarthy’s characters are the straight players of the ensemble so they don’t get many opportunities to be funny. When the chances do present themselves though, they make it work (Wiig’s delivery of “Burn in hell” is comedic gold). McKinnon, with her crazed expressions and deadpan deliveries, is splendid as Holtzmann, the film’s strongest character. Jones also does well with what she has, although what the movie gives her is quite limiting. I liked the idea of turning the practice of having a stupid but attractive woman in every comedy on its head by casting Hemsworth as the male equivalent but found the execution uneven. Sometimes it works but other times they make him too stupid. Between them they cannot make every joke work because the material is often just too weak but, when the movie does give them something good, they knock it out of the park.
All in all, I neither love nor hate this movie. I don’t think it’s a betrayal of the original Ghostbusters but it certainly isn’t its equal. The Ghostbusters of 1984 was its own weird and wonderful thing that can never be recaptured (we know because they tried in 1989), so I’m glad that they at least tried to do something different with the property. I just think that the result is a mixed bag. The movie is funny and creative enough that I can understand why someone would like it but it is also tedious and awkward enough that I can understand someone disliking it. In either case it most certainly isn’t worth all of the abhorrence and antagonism that has been generated around it. Anyone who claims that this movie has ruined their childhood needs to get a life. Anyone opposed to the idea of a major franchise making a movie with a female ensemble needs to grow up. At the end of the day Ghostbusters is a clumsy but sometimes enjoyable mess and you can either take it or leave it.