Cast: Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, Anton Yelchin, John Cho, Idris Elba
Director: Justin Lin
Writers: Simon Pegg, Doug Jung
I’m not a huge Star Trek fan. I don’t mean that in the sense that I don’t like it but rather in the sense that I haven’t watched enough of it to consider myself a huge fan. While I have watched all three instalments of the reboot, the only classic Star Trek movie I’ve ever gotten round to seeing is Wrath of Khan (which I found to be a better movie than any of the new ones). Therefore when I talk about the characters in this movie and the universe they inhabit, I do so from an unenlightened perspective. I am not intimately familiar with this franchise and have no substantive opinion of how a Star Trek movie is supposed to be done. The only fair standard I can set for this film is that provided by the J.J. Abrams movies, both of which I enjoyed but didn’t love. That is more or less how I feel about this movie as well.
Three years into their five-year mission, Captain James Kirk (Chris Pine) starts contemplating the endless nature of their voyage as he approaches his thirtieth birthday, making him one year younger than his father was when he died. While on shore leave Kirk is offered a promotion and recommends Spock (Zachary Quinto) as his successor, should he accept that is. Spock meanwhile finds himself in a similarly dejected state after ending his relationship with Uhura (Zoe Saldana) and receiving word that Ambassador Spock has died. The Enterprise is then sent on a rescue mission which turns out to be an ambush. The ship is destroyed by Krall (Idris Elba), a ruthless alien seeking revenge against the United Federation of Planets, and most of the crew is taken captive. Kirk manages to escape with Chekov (Anton Yelchin) while Spock escapes with Dr. McCoy (Karl Urban). Stranded, scattered and crippled, it is up to Kirk to reunite his crew, find out what Krall is planning and save the Federation.
While I understand that the classic Star Trek movies were largely concerned with character-based drama and themes of morality and philosophy, these modern takes have leaned more heavily towards aspects of action/adventure. Although I’ve enjoyed these movies for the thrills they’ve provided, I have often felt that the stories and characters have left me wanting. While the characters in these films are certainly memorable, likeable and entertaining to watch, I’ve seldom found them to be truly compelling. In Star Trek Beyond there was a lot of potential for drama that the movie was able to set up but couldn’t quite follow through on. In Kirk’s arc for example it seems like the movie is trying to present him in a lost, estranged state, living under the shadow of the father he never knew and undergoing a crisis of identity. To me however, it just came across as Kirk being bored of his job. Spock, who lost his home planet in the first film and has learned of the passing of his alternate self, could have been allowed to confront issues of mortality, endurance and responsibility. Instead he breaks up with his girlfriend. Because these movies are so focused on getting to the action, there just isn’t enough time for them to really ask the big questions or to delve deeply into these characters. This doesn’t make them bad or boring, it just makes them somewhat unfulfilling.
Still, the action is often spectacular and is a nice change from the shaky cam and lens flares that often proved distracting in the Abrams movies. There are some incredible sequences in this film, such as Krall’s attack on the Enterprise, that had my heart racing. The action does get more generic in the third act but the ones that really work well are simply stunning. The movie also puts its excellent cast to good use, at least on an entertainment level. The banter between Spock and Bones is good for a few laughs. Pegg provides Scotty with plenty of moments in the spotlight and crushes them. Uhura isn’t given really given enough to do but Saldana is still able to deliver far more than what she was given. Pine has really grown into the role of Kirk and carries an undeniable air of authority befitting a strong and respected leader. The only disappointment was the villain who, despite Elba’s best efforts, is let down by a forgettable personality, vague motivations and a weak plot twist.
Star Trek Beyond is a good enough movie on a purely entertaining level. It has good characters portrayed by a superb cast, some great comedic highlights and plenty of action. It’s weakness, as with the previous two instalments, is its inability to give its story and character the depth that they deserve. The promise is there, the films just aren’t brave enough to follow through with it. Star Trek Beyond is thrilling and it is enjoyable, but there ultimately isn’t very much that separates it from all the other sci-fi/action blockbusters being made today. I may not have seen enough of the classic Star Trek movies and TV shows to claim any sort of authority where they are concerned, but what little I have seen I’ve found to be intelligent, captivating and unlike any big budget movie being made in this current climate. If these movies ever took the risk of putting the action in the backseat and allowed themselves to attempt that same level of innovation and nuance, we might have been treated to something truly special.