Jurassic World: Fallen Kingdom

Cast: Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, Ted Levine, B.D. Wong, Isabella Sermon, Geraldine Chaplin, Jeff Goldblum

Director: J.A. Bayona

Writers: Derek Connolly, Colin Trevorrow


I think what surprised me the most about this film was how much the trailers gave away and yet how little they prepared me. After watching the adverts I was able to predict beat for beat how the events were going to unfold and who was going to end up where doing what right up to the third act, but even now I am still astonished by how fundamentally ridiculous and derivative it all was. After the first Jurassic World, which I enjoyed and felt brought something new to the franchise while still remaining true to the original’s spirit but still fell short of the standard, I wasn’t expecting anything amazing. Even then, I still cannot wrap my head around what I saw. Fallen Kingdom is somehow both unremarkable for how dull and banal most of its story and action is and also mindboggling for the utter lunacy behind some of the choices that were made. This is an Attack of the Clones level of ineptitude I’m talking about here where it doesn’t seem possible for a movie to be this insanely stupid and still be so lacklustre.

Picking up after the events of Jurassic World that led to the closure of the park, the lives of the dinosaurs are now threatened by the impending eruption of a formerly inactive volcano on the island. Claire Dearing (Bryce Dallas Howard), now running an organisation lobbying for the protection of the dinosaurs, is about to lose hope when she is approached by Eli Mills (Rafe Spall), the prim, proper, and seemingly earnest businessman who always appears in these kinds of movies. He runs the organisation responsible for resurrecting the dinosaurs, owned by Dr. Hammond’s former partner Benjamin Lockwood (James Cromwell) and they are putting together a rescue operation. They need Claire’s help to track the dinosaurs and bring them back safely, especially Blue, the intelligent and last living velociraptor. In an eye-rolling twist, Claire realises that the only person in the world who can rein Blue in is the last person in the world she wants to see, her ex-boyfriend and Blue’s former trainer Owen Grady (Chris Pratt). Owen has no interest in joining their operation but, after speaking to Claire and realising that there’s no movie if he sits it out, he agrees.

Things are a-go and Claire assembles her team, which as well as Owen includes Franklin Webb (Justice Smith), an IT technician who screams whenever anything moves, makes a sound, or exists, and Zia Rodriguez (Daniella Pineda), a dino vet who has never actually treated nor even seen a dinosaur in the flesh. They tag along with a mercenary troop led by the gung-ho Ken Wheatley (Ted Levine) and head for the island on the day that the volcano is scheduled to erupt. Here they must contend with rampant dinosaurs, scorching lava, and double-crossing mercenaries serving some ulterior motive. After nearly drowning in a pod, shot in a single take from within the spherical trap as it gradually fills up with water (the best action scene in the film), Owen, Claire, and the comic reliefs realise that they’ve been had and must stow away on the departing cargo ship to escape. One tedious, drawn-out scene later, they reach their destination and there learn the insidious reason why these dinosaurs were saved from their doom.

The remainder of the movie takes place in a Gothic mansion like something out of an Edgar Allen Poe novel with thunder and lightning all through the night and secrets around every corner (which might have been fine if I weren’t there to watch a dinosaur movie) and what we get is this tiresome and underwhelming game of cat and mouse (or, rather, dinosaur and human). As Claire and Owen work to liberate the captive creatures they cross paths with a seedy, villainous character played by Toby Jones (because they’re always played by Toby Jones), Lockwood’s young granddaughter Maisie (Isabella Sermon), the obligatory kid who gets herself into all kinds of trouble but never comes to any harm, and another generically evil, blandly-designed, genetically-engineered dinosaur. It really bothers me how both Jurassic World movies have featured lab-designed dinosaurs as their big bads but have neglected to push the boundaries of what’s really possible, opting instead to make both of them barely distinguishable variations of raptors and T-Rexes. If you’re going to invent your own dinosaur, then get creative! Give them triceratops horns or a stegosaurus spike tail or pterodactyl wings or laser eyes or something! Anything!

Anyway, that’s the least of this movie’s problems. After the conclusion to Jurassic World with the escape of the dinosaurs and the collapse of the park provided the set-up to many interesting possible directions, Fallen Kingdom takes so many steps backwards it winds up retreading the territory they’ve already explored in the other films. The very idea of a nefarious organisation sending their team of idealistic, naïve characters to an island of dinosaurs to serve some secret scheme is straight out of The Lost World, except this time there’s a volcano. The movie is filled to the brim with scenes and images copied and pasted directly from the previous Jurassic Park films including the kid hiding from the dinosaur in an enclosed space, the predatory dinosaur falling through the glass, and the human villain getting chomped by the T-Rex. I know that there are certain things that we except to see in a Jurassic Park film the way we do with Star Wars and the Marvel movies, but there has to be some variation and progression. By revisiting the same plot in the same way and following the same beats, all this movie is demonstrating is that the characters in this universe are incapable of learning from their own mistakes. Fallen Kingdom even rips off its direct predecessor by splitting up Owen and Claire just so we can watch them argue about everything all over again before inevitably getting back together.

There is only one thing I really admire about this film and that is its willingness to confront the moral argument at the heart of the Jurassic Park films. What I love about the original 1993 film is how well it captured the sense of miraculous wonder that came with seeing living, breathing dinosaurs for the first time, allowing you to care for the creatures while still fearing them for all the chaos and destruction they could cause. The film acknowledges how dangerous it is for science to try and tamper with nature and the subsequent films have done nothing but confirm and reinforce the idea that bringing these dinosaurs back to life was a mistake. Time after time after time human attempts to control and interfere with them have failed as the beasts have consistently proven that they cannot be contained and that there is no place for them in a world where they are no longer the dominating species. Thus, faced with the prospect of a second extinction of the dinosaurs, Fallen Kingdom debates the question over whether they should be allowed to live or die. But then it bungles that debate in the most inept, outrageous way imaginable.

Before the plot gets started we sit in on a hearing held by Congress on whether they should act to save the dinosaurs or not. In this scene Dr. Ian Malcolm (Jeff Goldblum) is invited to testify and he argues in favour of extinction. He reasons that the dinosaurs had their time on Earth a long, long time ago and that bringing them back to life was a mistake that has blown up in humanity’s face more than once. This imminent volcanic eruption is an act of God and it strikes Dr. Malcolm as nature’s way of correcting itself. Therefore let nature take its course. Let the dinosaurs die. In a movie that’s supposed to have me root for Claire and Owen’s team and their goal to save the dinosaurs, it doesn’t speak well that in less than five minutes of screen-time Dr. Malcolm won the moral debate hands down. Not a single thing that happens in this movie convinces me that these creatures deserve their chance at life, especially not after Fallen Kingdom makes its case with a plot twist and a resolution that defies any sense of logic, reason or sanity. Never before have I been so horrified by the catastrophic implications of what is supposed to be an uplifting, optimistic ending.

Fallen Kingdom is a formulaic, characterless Hollywood sequel that stomps along with the same sense of purpose as a soulless, genetically-engineered dinosaur. There is nothing at all to emotionally invest the viewer in the events of this film. There is no sensation of majesty or wonder about the dinosaurs because the movie never makes any time for it. There is no suspense in any of the action or story because the movie advertises everything it’s about to do and then explains it all after the fact anyway. It’s not even as good as The Lost World (which is already a low bar to set) because Bayona’s direction, while competent, isn’t a match for 1990’s Steven Spielberg. There is also no affection, humour or wisdom in any of these characters because there is no feeling in anything that they do. The one and only character who exhibits any shred of humanity in this film is the one who has just had enough of it all, the one who feels that everything has run its course and that there’s nothing more to say or do. I don’t want to walk away from a Jurassic Park movie agreeing with the guy who thinks that the dinosaurs should be left to die so that the rest of us can move on with our lives but here we are. That is how badly this movie dropped the ball.

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Jurassic World

Cast: Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Omar Sy, BD Wong, Irrfan Khan

Director: Colin Trevorrow

Writers: Rick Jaffa, Amanda Silver, Derek Connolly, Colin Trevorrow


Jurassic World is a film that has a lot to live up to. Its predecessor Jurassic Park is a universally beloved and acclaimed film that pretty much sets the standard for what a perfect summer blockbuster should be. It was fun, it was exciting and it gave the audience something that they had never seen before. This film is so affectionately regarded by most who have seen it that the audience expectation for this follow-up was a complex mixture of hopeful anticipation and callous scepticism. I think that just about everyone waiting to see this film wants to like it, but we have been burnt twice before. Therefore it’s easy to have our reactions clouded by our desires to both love and hate this film. I personally expected this film to fall somewhere in the middle, not amazing but not terrible either. In the end what I expected was mostly what I got but the film also did something that I wasn’t expecting at all, something I’ll get back to later. I don’t think this film lived up to the original (and perhaps it never could) but I still had fun watching it and think it is a worthy sequel.

Many years after the incident in the original film, the park is now open, is fully functional, and is a huge success. However the park’s popularity is waning as people are starting to get bored of dinosaurs, a temperament that I felt was very true to the spirit of this age. Therefore the park’s manager Clare Dearing (Bryce Dallas Howard) and the owner Simon Masrani (Irrfan Khan) hope to invigorate public interest by using gene-splicing to create new breeds of dinosaurs. Meanwhile Vic Hoskins (Vincent D’Onofrio), the head of InGen security, comes to the park and proposes that the dinosaurs be trained as military weapons. He is rebuked by Owen (Chris Pratt), a raptor trainer who maintains that dinosaurs cannot be tamed or controlled but are instead fierce and intelligent creatures that can only be approached through a relationship of mutual respect. Shortly after Clare’s nephews Zach (Nick Robinson) and Gray (Ty Simpkins) arrive at the park, chaos ensues when the new genetically engineered Indominus rex escapes from captivity and wreaks havoc across the entire island.

This is a flawed film, there’s no getting around that. The characters for the most part are pretty basic and underdeveloped. Clare in particular is very uninspired as an uptight, frigid woman who gets a lot of flack from the film despite being smart, independent and successful. Owen is essentially the only character to even be given a story-arc as he seeks to understand the nature of the dinosaurs and what sort of relationships human beings can share with them. The story is a bit sketchy but I do think it works considering the type of film Jurassic World is trying to be. There are plenty of holes and flaws to criticise but there are also some clever ideas that I felt redeemed many of the film’s misgivings. The best parts of the film are the action scenes involving the dinosaurs. These scenes are fun to watch, they’re ripe with tension and they’re even executed in new and creative ways as opposed to recycling the sequences from the original film. It could be argued that the film goes overboard sometimes (one character death springs to mind that felt to me like overkill) but I was still very much entertained by what I saw.

However what really astounded me was that this film did something I did not expect at all. It actually felt like a Jurassic Park film. It actually captured the same sense of awe and wonder, the same balance of violence and playfulness and the same epic scale as the original classic, albeit to a much lesser extent. The characters are not as memorable, the tension is not as palpable and the sense of wonder is not as astonishing, but the feeling is still there. There is a lot in this film that contributes towards capturing this effect such as the inclusion of the John Williams theme and the allusions towards the events of the original film. More than anything though it is the visual spectacle that was able to convey the sense of grandeur and wonderment that the first film had originally created. It may not have been as strong or as potent as what Jurassic Park created but it nevertheless gave this film a certain dimension that made it feel like part of a bigger whole. It was this dimension that inspired my inner child’s nostalgia and whimsicality and that gradually drew me into this film.

I get the feeling that the audience’s reaction to this film is going to be very much split. Those who have seen Jurassic Park are inevitably going to hold it as the definitive standard, a standard to which this film does not ultimately measure up. Whether or not they feel Jurassic World holds up as a worthy sequel depends on what they expect from it. Those who expect this film to measure up to the quality of the first film (or, dare I say, surpass it) will be disappointed. Those who are looking for a fun and entertaining film that captures the same tone as the original, even if it is to a lesser extent, will I think be satisfied. I’d like to think that younger children who perhaps have not seen the original film might be able to experience that same sensation of awe and wonder that the first film inspired. However the film does make a point of how dinosaurs have ceased to be a sensation and that children are no longer awe-struck by them. I suspect that this comment is an allusion to the state of films in general where CGI blockbusters have become such a norm that the visual spectacles they create hardly even register with viewers anymore. Gone are the days when Jurassic Park was the biggest and most breathtaking film of its kind and where CGI dinosaurs were the most incredible visual simulations imaginable. Even though films with new and innovative ideas are still being offered, Hollywood has reached a stage where it has all (to a certain extent) been done before. It is small wonder then that Jurassic World has found it so difficult to distinguish itself this summer.

★★★