Avengers: Infinity War

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlatt Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Chris Pratt, Josh Brolin

Directors: Anthony Russo, Joe Russo

Writers: Christopher Markus, Stephen McFeely


There’s a certain narrative that studios like to spin when a high-profile movie, oftentimes a comic book blockbuster, underperforms. If the movie in question has taken a beating in the critical consensus, studios like to dismiss the validity of the criticism by claiming that they “made it for the fans”. This is a garbage argument; not only is it an attempt by Hollywood to fabricate a divide between critics and fans to ensure that they aren’t held accountable for making mediocre movies that fail to resonate with audiences, it makes no sense from a purely economic perspective. It falsely suggests that the studio has no interest in pulling a larger crowd from beyond the core fanbase and maximising their profits. This is one of the reasons why I find Infinity War to be such an interesting case in the evolution of the blockbuster, because I think it is the exception that proves the rule. After their ten year campaign to build as large and inclusive a fanbase as possible, the MCU have released a title that appeals directly to them and that only works if you’ve seen and enjoyed all (well… most) of the eighteen films that came before. This is truly a movie that was made for the fans.

Therefore, even though I’ve criticised some of the Marvel movies in the past for neglecting to tell entirely self-contained stories, I don’t think it’s fair to hold this film to the same standard. Infinity War is a crossover event of unprecedented proportions; it is the culmination of all that the Marvel Cinematic Universe has built in the last decade and it fuses all of their flagship characters into a single narrative. There is so much to bring together and so much happening in this movie that expecting it to slow down for those who have not watched the preceding titles in order to bring them up to speed on all the characters and their histories strikes me as ludicrous a notion as it would be for Harry Potter and the Deathly Hallows or Game of Thrones Season Eight. Eighteen movies is a big ask for anyone who isn’t a fan of the franchise and that’s why I don’t think the studio was under any illusion that they were making this movie for anybody outside of the fanbase, which by this point has grown large enough to justify an investment on this scale. For those non-fans who feel that they must see this film all the same, I honestly don’t know what they expect to get out of it. Infinity War is a film that knows exactly who it was made for and for them it’s going to work very well indeed.

The film is 160 minutes long and it hits the ground running. There is so much action condensed in the runtime and so many big moments throughout that pretty much every detail feels like a potential spoiler. On the broadest possible level, the plot is about the intergalactic tyrant Thanos (Josh Brolin) in his quest to collect the six Infinity Stones with his gauntlet. Only when he’s acquired all six will he be able to realise his goal of wiping out half of the universe’s populace, his solution to the problem of galactic depletion and imbalance. Standing in his way are the Avengers, led by Captain America (Chris Evans), Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Black Widow (Scarlett Johansson), and Hulk (Mark Ruffalo). Helping them along the way are such previous allies and adversaries as Black Panther (Chadwick Boseman), Loki (Tom Hiddleston) and Spider-Man (Tom Holland), and such newcomers as Dr. Strange (Benedict Cumberbatch) and the Guardians of the Galaxy as led by Star Lord (Chris Pratt) and Gamora (Zoe Saldana). What follows is an epic and devastating conflict, an earth-shattering spectacle on the scale of an opera or a Greek tragedy. Worlds are destroyed, lives are ruined, tears are shed, and heroes are killed.

The film wisely makes Thanos, the one major character who has not received any substantial character development in any of the previous films, its main focus. We follow him on his apocalyptic journey across the galaxy and, in large part due to Brolin’s remarkably forceful yet quiet performance, we learn to both fear and yet pity him in what he sees as a calling rather than a desire. Unlike the Joker and most other comic book villains who absolutely relish their evilness, Thanos is more like Anton Chigurh in No Country for Old Men. He isn’t evil because he wants to be or was made to be but because he feels like that he has to be, as if he cannot see any other way and has resigned himself. He has the devotion and conviction of a religious zealot but also the calm and solemnity of a disciplined military leader. He attends to his mission with ruthless single-mindedness; he has no interest in trying to convince or bargain with anyone, what he must do is simply what has to happen and he will destroy all who stand in his way without a second thought. You hate him because of how merciless and cruel he is but there’s an air of inconsolable loneliness and trepidation about him that Brolin conveys superbly without overplaying. His strength and powers are absolute and there is no doubting that he is the biblical reckoning that many of the characters have been dreading all this time.

The inevitable downside of featuring an ensemble this large in a narrative that is somewhat constricted by the limitations of linear cause-and-effect storytelling is that there’s only so much screen time and dialogue it can dole out between the dozens of characters that it must juggle. Some of this is compensated by the fact that we’ve already seen these characters in their stories and can immediately identify them, so most of them can more or less get straight down to business. Homecoming has already established the mentor/trainee relationship between Tony Stark and Peter Parker, the Thor movies have already laid the groundwork for Thor’s PTSD, and Guardians of the Galaxy has already made clear to us Gamora’s and Nebula’s (Karen Gillan) history with Thanos. However there are other characters and plot threads that must take a backseat in order to make room for these stories. Steve Rogers gets a couple dozen lines, Natasha Romanoff and Bruce Banner, who had a romance in Age of Ultron, barely get a meaningful exchange, and there are some rather important characters such as Bucky Barnes (Sebastian Stan), Mantis (Pom Klementieff), Sam Wilson (Anthony Mackie) and Shuri (Letitia Wright) who could almost be considered glorified extras.

One of the pleasures of the crossover though is that we do get to see some great mixing and matching between the characters without pre-existing relationships. The combination of the ultra masculine Thor and the insecure Peter Quill allows for an amusing back-and-forth and Thor also gets to bond with Rocket (Bradley Cooper) with whom he shares more in common than you might think. Stark and Strange are acquainted and find that their identically obnoxious personalities clash, there’s a surprise appearance by the villain of a previous film who makes for an interesting contrast with Thanos, and there are some brief exchanges during the climatic battle that make for some great laughs. However I do wish the Russo Brothers had made more of an effort to combine the heroes’ differing abilities and styles in the action scenes the way they did so well in Civil War. Apart from one moment where Natasha, Okoye (Danai Gurira) and Scarlet Witch (Elizabeth Olsen) work together to take down a foe and another where a plan to subdue Thanos almost works, I can’t remember any other notable instances of a character combination leading to an action set-piece that would not be possible in any other MCU film. Instead it mostly comes to down to individual heroes doing their own solo stuff in turn.

On that note, the action doesn’t really feel all that distinctive from what we’ve seen in other movies, especially not after Thor: Ragnarok and Black Panther which were both made by directors with such distinct personalities and styles. Here it’s mostly shaky camerawork and quick-fire editing just like in any other blockbuster while the less action-packed scenes are framed rather generically with hardly any risky moves or striking flourishes to help the most impactful moments hit that little bit harder. There are some moments that stand out such as a wipe that cleverly reveals a scene to be an illusion conjured by Thanos and the use of slow motion during the climax to highlight the Avengers’ last-ditch desperation, but the filmmaking mostly feels routine and by-the-numbers. The most notable exception though is the ending which delivers a gut-punch with the exact right amount of shock and severity to catch you off guard even if you know intellectually in your head that what’s happening cannot possibly be permanent or irreversible (as tends to be the case with most cliffhangers). It’s a move that goes a step further than The Empire Strikes Back by not offering you that glimmer of hope at the end to leave you feeling elated and optimistic. Han is frozen in carbonite, Luke learns that the bad guy is his father and has his hand cut off, Vader is triumphant, cut to black. All you’re left with is that feeling of desolation and failure.

For most fans of Marvel, Infinity War is exactly what they want it to be. It brings together all the iconic characters they’ve grown to love (sans a couple whose absences are quickly explained in a throwaway sentence), pits them against the single greatest foe that any of them have ever faced, and delivers some good action, comedy, and surprises along the way. It’s not perfect and it’s not the most creative, clever, or compelling movie they’ve ever made, but it delivers. For me what really makes this film stand out among its predecessors is the combination of Thanos’ arc with Josh Brolin’s performance. He took a villain who has been built up big time despite his previous underwhelming appearances and added so much terror and humanity (aided by the best use of CGI on a character since Gollum) that you cannot help but be swept away by his crusade. Even though you can probably more or less predict how the story will progress, there’s still that agonising sense of dread gnawing away at you with each step that brings Thanos closer to bringing his plan to fruition. He’s the rare type of villain who is at his most intimidating when quiet and who demonstrates an unexpected capacity for respect and empathy when battling his enemies. He’s the one it’s all been leading to and he was worth the wait.

★★★★

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Captain America: Civil War

Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, Daniel Brühl

Directors: Anthony Russo, Joe Russo

Writers: Christopher Markus, Stephen McFeely


In order to talk about Civil War, I feel like I first need to talk briefly about Batman v Superman as both films have virtually the same concept. Although I enjoyed Dawn of Justice I felt that the movie suffered from a lack of focus and direction. Snyder, being the great visual director that he is, delivered spectacularly on the action but where he fell short was in the characters’ motivations and the thematic conflict. These elements might have been allowed to flourish had the movie not been so cluttered with subplots, tie-ins and cameos that were immaterial to the central conflict but, alas, it wasn’t the case. This is something that the Russo Brothers clearly understood when they directed Civil War. They understood that character is more important than spectacle; that conflict depends more on motivation than it does on combat; and that a movie can be cluttered with subplots, tie-ins and cameos as long as they exist to serve the central conflict. This is why it is not an exaggeration to say that Civil War is Dawn of Justice done right.

After a mission in Lagos goes badly and results in civilian casualties the government decides to push for a Hero Registration Act to keep the Avengers in check. Tony Stark (Robert Downey Jr.), feeling guilty for the part he played in Ultron’s creation and Sokovia’s destruction, supports this bill. Steve Rogers (Chris Evans) however believes that government supervision would hinder or even compromise his ability to save lives. This disagreement causes a rift between Captain America and Iron Man that is made all the worse when Bucky (Sebastian Stan) resurfaces and commits a terrorist act in Vienna. Determined to bring Bucky in himself and to protect him, Captain America has to work against the government and enlists Falcon (Anthony Mackie), Hawkeye (Jeremy Renner), Scarlet Witch (Elizabeth Olsen) and Ant-Man (Paul Rudd) to his cause. It is up to Iron Man to stop him with the help of Black Widow (Scarlett Johansson), Rhodey (Don Cheadle), Black Panther (Chadwick Boseman) and Vision (Paul Bettany). This conflict escalates into an all-out war between the two sides with the mysterious Helmut Zemo (Daniel Brühl) at the centre of it all.

As the summary has probably shown there are a lot of characters in this movie, something that I found to be an issue with Age of Ultron. What makes it work however is that the Russo Brothers, drawing from their experience with such shows as Community, approach this film as an ensemble piece. As the film builds up to its climatic battle between the opposing sides, it masterfully shifts enough of the focus onto each character so that they all have a reason to actually be there. It helps that many of these characters are already familiar to us from the previous films and therefore don’t need any introduction, but still each one is given a motivation that is made clear to us without drawing the focus away from the central conflict. And yet this is a Captain America movie and not an Avengers movie. Although the film makes terrific work of the ensemble at its disposal, the movie belongs to Cap above all others and allows his part in the story to take precedence above all others without making it all about him. The film demonstrates a superb balance in its focus that should make movies like Dawn of Justice blush with shame.

While Civil War is a movie that is very much built on conflict and character, it also boasts of some of the best action that Marvel has ever put on screen. The tunnel chase scene alone is a stunning sequence of intense running, flying, driving, punching, kicking and clawing but it is the airport fight where the film truly shines. Bringing all of these heroes (including Spider-man) together into a single arena and pitting them against each other is epic enough, but the way the film played their different abilities against each other and allowed each character their own moment in the spotlight raised it to a whole new level. The film is full jam-packed with strong action and compelling conflicts but, being a Marvel movie, it also makes room for much humour and light-heartedness. Even when the conflict between Cap and Iron Man escalates in seriousness, watching them fight each other never ceases to be fun.

As far as superhero blockbusters go there is very little to fault. I suppose I could have used a little more focus on the villainous Zemo and perhaps a slightly stronger motivation from him but that’s just a nit-pick. This is as magnificent as a superhero movie can get. When Civil War is compared with Dawn of Justice the contrasts between them are incredibly revealing. Dawn of Justice is what you get when your movie contains little more than impressive action. Civil War succeeds where the Batman v Superman failed by placing its emphases on its characters and employing them to serve the central conflict above all else. Civil War is captivating, immersive, hilarious, action-packed, thrilling, emotional and fun. It is the pinnacle of everything that Marvel does well and is without question one of their finest cinematic offering to date.

★★★★★