Jumanji: Welcome to the Jungle

Cast: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Bobby Cannavale

Director: Jake Kasdan

Writers: Chris McKenna, Erik Sommers, Scott Rosenberg, Jeff Pinkner


It’s been years since I’ve watched the original 1995 Jumanji with Robin Williams, but I remember it well enough. It was a fun movie with an original concept and in the years since I never felt like it warranted a sequel. What’s interesting about this new movie though is that it isn’t clear whether it is a sequel, a remake, a reboot, or whatever else Hollywood is making these days. You could watch this film and never know that there was another movie released two decades prior. I’m not even sure if the film was originally conceived as a Jumanji sequel; I would have no trouble imagining a scenario where one of the screenwriters envisioned a movie about teenagers getting sucked into a video game, upon which someone at the studio, realising they owned the rights to Jumanji, attached the name to the property so that they might profit from Hollywood’s obsession with recognised brands. Maybe that isn’t the case at all, but what impressed about this Jumanji sequel/remake/reboot was how well it stood on its own two feet.

The movie starts off in a high school where nerdy gamer Spencer Gilpin (Alex Wolff), football jock Fridge (Ser’Darius Blain), introverted teen Martha Kaply (Morgan Turner), and Queen Bee Bethany Walker (Madison Iseman), all end up in detention together. In the middle of the mess they must sort out they find a dusty 90s video game console with a cartridge for a Jumanji game attached. They decide to have a quick go, pick their characters, and are then suddenly sucked into the game. They find themselves in a virtual jungle where they have taken the forms of their avatars. Spencer is now the tough and muscular Dr. Smolder Bravestone (Dwayne Johnson), Fridge is the short and feeble Franklin ‘Mouse’ Finbar (Kevin Hart), Martha is the athletic and beautiful Ruby Roundhouse (Karen Gillan) and Bethany is the male, overweight, middle-aged Shelly Oberon (Jack Black). Realising they have been transported into the video game and that the most likely way out is to complete all the levels, they set out to obtain a stolen jewel called the Jaguar’s Eye and return it to its rightful place before the evil Russel Van Pelt (Bobby Cannavale) can get his hands on it.

The body-switching trope of having these Hollywood stars play these teenagers is one that could have gotten old rather quickly if not for the commitment each star gives their role and the movie’s understanding of their character’s anxieties and insecurities. As far as teenage characters go, these ones are not as fleshed out as those in The Breakfast Club (or Power Rangers to give a more recent example) but they suffice for what is after all meant to be a fun action/adventure blockbuster. Dwayne Johnson playing a scrawny, nerdy guy who cannot believe that he now has The Rock’s body works very well, as does casting a great physical comedy actor like Jack Black as a vain, smartphone-addicted teenage girl. Kevin Hart does what he does and gets some laughs and Karen Gillan has some fun as a socially awkward girl who doesn’t feel at all comfortable in a slim body with skimpy clothing, but I do wish the movie had done more to challenge the stereotypes that she is mostly perpetuating. Still, these actors all play their roles so earnestly that it never feels like just a gimmick. There were definitely a few moments there when I actually believed that Jack Black was a teenage girl.

The action/adventure aspect is, I would say, serviceable. It does what it’s meant to do well enough. The story follows a simple video-game structure where the characters have to get through certain levels to get to their objective and along the way they’re able to learn the mechanics of the game such as the strengths and weaknesses of their respective avatars and how many lives they each have. Along the way they overcome obstacles and battle faceless henchmen and a generic villain (whether this is a meta comment on video games or just a typical Hollywood trope, I cannot tell), and in between they have some individual character moments, both comic and (sort of) dramatic. The action scenes are shot well enough that you never lose sight of where everyone is or what is happening, but at the same time you never really feel like the characters are ever in that much danger. It’s a given that these characters will all make it home in the end, so any sense of drama or suspense has to stem from their individual arcs and I didn’t find enough there for me to really invest myself in their survival. Unlike Power Rangers which made a huge effort to give its characters complex personalities and tough, relatable problems, the arcs for these characters feel pretty thin and easily solved in comparison. It isn’t bad, merely serviceable.

The movie is at its best when it’s focusing on the stars and letting them have some fun. Standout moments include Black strutting around and flaunting his chubby physique as he instructs Gillan in the art of sexiness and seduction and also Johnson slipping into his expression of smouldering intensity anytime someone says “smouldering intensity”. This movie didn’t have to be great in order to cash in on the Jumanji name, but it’s clear that a lot of thought went into this film to make it more creative and surprising than it needed to be. That the movie never once resorted to cheap, empty intertextuality, by which I mean relying on the recognisable brand of the Robin Williams film as a substitute for thrills and drama, is to be applauded. This sequel/remake/reboot did its own thing and it worked out fine. The actors are all clearly giving their best and having a ball playing these characters and it is their charm and sincerity that kept me through to the end even when the concept and action started to wear thin.

★★★

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Guardians of the Galaxy, Vol. 2

Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Sylvester Stallone, Kurt Russell

Director: James Gunn

Writer: James Gunn


The original Guardians of the Galaxy has become such a monster hit in the years since its release that it’s easy to forget how little audiences were expecting from it at the time. Even though it was a Marvel property, the vast majority of viewers knew nothing about who these characters were or about the universe they lived in. All they really knew going in was that it starred the chubby guy from Parks & Rec and had a talking raccoon and a tree man fighting bad guys in space. People were so convinced that this movie with its strange premise was going to be Marvel’s first flop that they were taken completely by surprise when it turned out to be one of the funniest, most entertaining and awesome films of the year. Now that Guardians has lost that element of surprise, its sequel must somehow inspire that same reaction again while also managing the audience’s now eager expectations. Few films can live up to that kind of expectation, and I suspect that some will be inevitably disappointed when they find that this movie isn’t quite the gamechanger that the first film was. For me though, Vol. 2 is exactly the kind of sequel I hoped it would be.

Now renowned as the Guardians of the Galaxy, the movie opens with Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper) and Baby Groot (Vin Diesel) protecting some valuable batteries for the Sovereign race in exchange for Gamora’s sister Nebula (Karen Gillan). When Rocket steals some of the batteries for himself the Guardians must go on the run and end up crash landing on a planet where they are met by Ego (Kurt Russell), who reveals himself to be Peter’s father. He invites Peter, Gamora and Drax to his home planet while Rocket and Groot fix the ship and guard Nebula. Meanwhile Yondu (Michael Rooker), now outcast by the Ravagers for child trafficking, is hired by Ayesha (Elizabeth Debicki), the leader of the Sovereigns, to track down the Guardians and capture them, a task he accepts but is reluctant to carry out.

The opening sequence sets the tone perfectly for this sequel. The Guardians are gearing up for a big fight with a giant CGI tentacle monster only for the battle to occur in the background as we instead follow Baby Groot around as he dances along to ‘Mr. Blue Sky’. Not only is it a clever and funny twist on a trope we’ve seen in countless other blockbusters, it reminds us at the outset that Guardians of the Galaxy isn’t and has no interest in being a generic, interchangeable action-driven movie void of character and plot. Guardians has character, whimsy and heart and wants to showcase them to its audience. There are certainly great moments of action that occur from Yondu taking over a ship with his whistling arrow to Gamora’s ultimate showdown with her sister. However, much like how the best scene in Age of Ultron was when the Avengers were just hanging out in Tony Stark’s apartment, Guardians is at its best when it allows its characters to just be themselves.

At its core Guardians of the Galaxy is about family and that theme becomes most prominent when Star Lord finally meets his estranged alien father (who, of course, is played by an 80s icon). Thus, with the revelation of who he really is and where he comes from, it isn’t long before Quill finds himself torn between his biological family and his makeshift one. The movie however expands on the same theme with its other characters, bringing equal attention to the combative sisterhood shared by Gamora and Nebula and the surrogate father-son bond Quill shares with Yondu. Rooker in fact was the biggest surprise for me as he gives this movie, and perhaps the whole MCU, its most touching and heartfelt performance. Although there may not be any real question about what the film’s resolution will be, which is that family is who you’re with and not where you’re from, the way that it gets there is still compelling and, in the end, moving.

When a property is as big and as successful as Guardians has become in the last few years, it becomes so easy for studios to decide that all they want to do is ride on that success and phone it in. This is why the movie’s best quality is how earnest and sincere it all feels. The effort that Gunn and his team put into this movie is evident not just in the attention and care they put into the story and its characters but in the visuals as well. The movie is teeming with radiant colours that movies like those in the DCEU don’t think exist, the set-pieces such as Ego’s home planet are wonderfully designed and the film is rife with striking visuals such as those in the space jumping scene. The movie does become cluttered and even a little by-the-numbers in the third act but Gunn does such a great job of keeping the focus on the characters and all of their motivations that it doesn’t really slow down the film for me. Even though Vol. 2 doesn’t have the surprise factor that made the first movie such a mind-blowing revelation, I actually enjoyed it even more. Not only is Guardians of the Galaxy a great work of pure entertainment, but Vol. 2 is also one of those rare sequels that took everything that was good about the original and made them even better.

★★★★★