Cast: Ryan Reynolds, Gemma Arterton, Anna Kendrick, Jacki Weaver, Ella Smith
Director: Marjane Satrapi
Writer: Michael R. Perry
I’m at a loss over what I should write in this review mainly because I think that The Voices, much like Cabin in the Woods, is the kind of film where the audience should go in knowing absolutely nothing. This is a film with such a strange and unconventional concept that it becomes all the more fun if you go in not knowing what to expect. It is a film that throws many surprises at the audience and constantly plays with their perception and expectations. In my opinion any discussion of the plot details would steal away from the element of surprise which is why my recommendation for anyone who enjoys black comedies and isn’t too squeamish is to not read any further. Go watch the film and enjoy. However, since I have a word count to meet, I will go on further about the film for the benefit of those who don’t really care about knowing the plot details. I’ll be careful not to give away anything that you can’t find out from watching the trailer.
Seriously, if you want to be surprised, don’t read any further.
The plot revolves around Jerry (Ryan Reynolds), a guy with a ridiculously sunny disposition. He is always wearing a grin and bright, colourful clothing, he is absurdly polite to everyone in his life, and he seems blissfully clueless about everything. He meets regularly with his therapist Dr. Warren (Jacki Weaver) who talks to him as if she were talking to a six-year-old boy and who seems happy with his progress but concerned with the ambiguity of the answers to her questions (“Do you hear voices?” “Not really”). When he develops a crush on Fiona (Gemma Arterton), a sophisticated co-worker in his office, he helps organise the office party in an attempt to get closer to her. It is clear to all, especially Fiona, that Jerry is not a normal guy but he is mostly shrugged off for what most people take to be his harmless goofiness. No one, not even Dr. Warren, realises the true depths of Jerry’s troubled, depraved mind.
The audience is given a twisted insight into Jerry’s mind when he goes home to the apartment that he shares with his pets. There he has conversations with his two alternative personalities, his dog Bosco and his cat Mr. Whiskers (both voiced by Ryan Reynolds). Bosco is Jerry’s faithful, dim-witted companion who consistently reassures him that he is a good person and Mr. Whiskers is his furtive, abusive abettor who urges Jerry to act upon his baser instincts. The interactions between these three are comedy gold. Jerry’s impulsive nature eventually gets the better of him when an encounter with Fiona ends with him comically stabbing her to death by accident. His innocence is almost endearing as he politely apologises to Fiona’s bloody corpse. He takes the body back to his flat, chops her into dozens of pieces and stores her severed head in his fridge. Later when he tries to move on and forget his crime, Fiona’s head joins in the psychotic conversations as she and Mr. Whiskers impel him to become a serial killer. This compulsion becomes harder to resist when the kind and comely Lisa (Anna Kendrick) starts to show an interest in him.
Ryan Reynolds is someone I’ve never rated as an actor, put he absolutely kills it in this role (pun intended). His childish expressions and goofy mannerisms are perfect for portraying Jerry’s innocent simplicity. Due to a trauma that took place during his childhood, Jerry is very much still a little boy and he lives in a bubble through which he sees the world as this bright, colourful, wonderful place. When Jerry goes back to taking his anti-psychotic medication in an attempt to go back to normal, he becomes frightened and distressed to find that the normal world is a dark, horrible place where his home is filthy and covered in blood and his pets don’t talk. He immediately abandons his medication in order to return to the dream world. Reynolds is absolutely hilarious as he portrays Jerry’s ingenuous struggle to not become a serial killer (and, incidentally, he is also a very decent voice actor).
The film is able to convey a darkly comic tone that adds a light-hearted hilarity over the dark, twisted themes. Everything in Jerry’s world is shown to be lively and vibrant with bright colours and sunshine all round. The film is also able to convey humour through the exaggerated violence and gore that is depicted from a clumsily gruesome murder to a talking severed head. All of this makes for a darkly funny and enjoyably fucked up film. With that in mind, not everyone is going to like this film. Some people are going to find it too silly, some are going to find it too weird, and some are going to find it too messed up. However anyone who is prepared to not take this film seriously and enjoy it for its depravity and weirdness will have a great time.