Deadpool 2

Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison Zazie Beetz, T.J. Miller, Stefan Kapičić, Brianna Hildebrand, Jack Kesy, Terry Crews

Director: David Leitch

Writers: Rhett Reese, Paul Wernick, Ryan Reynolds


Comedy sequels are always a tricky business and I could probably count the number of movies that have actually pulled it off on one hand. The circumstances vary but the main problem is usually more or less the same; great comedy is nearly impossible to replicate. When a terrific and unique work of comedy comes along it’s almost like the stars aligning or lightning being captured in a bottle but, once the audience is wise to the concept and the brand of humour, it becomes far more difficult to keep the novelty as fresh, original and surprising as it was before. What makes it even more challenging is that many of the comedies that receive sequels simply don’t lend themselves to expansion. After a premise has been exhausted, sequels will try stretching the humour past the original concept (Little Fockers), changing the format (Evan Almighty), replacing the cast (Dumb and Dumberer), upping the ante (Anchorman 2), or simply repeating what the original did beat-for-beat in an ‘if it ain’t broke, don’t fix it’ kind of approach (The Hangover 2).

When Deadpool was released in 2016, its significance was not to be doubted. It was a project that had taken years to get running, it was made on a much smaller budget than any other superhero movie would have received, and it rejected all studio attempts to make it more mainstream and PG. Miller and Reynolds had to fight to get Deadpool made and the result of their labours was a smash hit that won acclaim for its obscene, quick-fire, fourth-wall-breaking humour and its satirical take on the superhero movies dominating Hollywood. This time around, having proven that R-rated movies can be enormously successful, not only does the creative team have the total confidence of 20th Century Fox and double the budget, it also has the burden of expectation and hype to live up to. It’s in a better position than most comedy sequels thanks to the original comic books with its canon of characters and stories for the movie to draw from, but in order to succeed it still has to try and do what all other comedy sequels have to try and do: replicate without repeating.

The movie once again follows Wade Wilson (Ryan Reynolds), who has kept up the super-anti-hero gig after being reunited with girlfriend Vanessa (Morena Baccarin) in the first film, on his escapades. X-Men members Colossus (Stefan Kapičić) and Negasonic Teenage Warhead (Brianna Hildebrand) enlist his help in relieving a stand-off between unstable mutant Russell Collins (Julian Dennison) and the Mutant Re-Education Centre where he was abused by the staff. Deadpool succeeds in talking him down but then finds that he must protect Russell from an even larger threat, a cyborg mercenary called Cable (Josh Brolin) who has come from the future to kill the boy. To stop him Deadpool and Weasel (T.J. Miller) form a team of mutants (the derivatively named X-Force) that includes Domino (Zazie Beetz), whose power is that she’s “lucky”, Bedlam (Terry Crews), who possesses electro-magnetic abilities, and Peter (Rob Delaney), a guy who thought that being part of a crime-fighting team might be quite fun.

When I saw the original Deadpool, I remember my one major criticism being that the story was quite thin. On rewatch I tried to look at it as a parody of the bland, by-the-numbers plots that superhero movies often have, but it instead became clear to me that Deadpool was simply a funny and entertaining movie with a bland, by-the-numbers plot. Deadpool 2 has a similarly formulaic plot but is at least more self-aware about it than before (in the middle of the second act Wade assures us that if everything goes to plan, we’ll all get to go home early because there’ll be no need for a third act). It also follows the same pattern of being laugh out loud funny except when it’s being serious and it does work in that the funny moment are funny and the serious moments are affective. I just kind of wish that the movie was better at being both at the same time the way that Edgar Wright’s movies can be.

What Deadpool 2 is more than anything else though is bigger than before. More gags, more action set-pieces, more explosions; this movie goes all-out in its effort to out-do the original. There are more characters with a larger variety of powers than before (the highlight here is Domino, whose power turns out to be a lot more cinematic than Deadpool thought), there’s a wonderful chase/fight scene in the middle that thrills and amuses in equal measure, there are dozens of funny, memorable jokes and pop-culture references from Deadpool’s anger at having his own movie get outdone by Logan to the observation that ‘Do You Want to Build a Snowman?’ from Frozen and ‘Papa, Can You Hear Me?’ from Yentl have suspiciously similar melodies to the funniest X-Men cameo since Wolverine’s ten-second appearance in First Class, and leading the charge is Ryan Reynolds who continues to give 110% in every frame. Brolin is also a great addition as Cable, an antagonist who, rather than being a spoilsport while everybody else has fun, gets some laughs of his own through deadpan deliveries and his growing frustration and befuddlement with Deadpool’s antics.

As far as comedy sequels go, Deadpool 2 is comfortably up there with Shrek 2 and 22 Jump Street. It expertly avoids the trappings that other comedy sequels fall victim to by reproducing the humour without recycling the jokes, moving the characters and their stories forward rather than falling back on the status quo from the previous film, and by being all-round creative, clever, and competently-made. Deadpool 2 is funny when it wants to be (another highlight I want to point to is when the musical score in one scene includes an epic choir singing “Holy shitballs!”), serious when it wants to be and action-packed when it wants to be and it’s more or less what you expect it to be, but in a good way. This is a film that knows exactly what it is and is very good at it. It doesn’t reinvent the wheel the way Deadpool did, but it doesn’t have to. It’s basically more of the same, but done a little bit differently with a little bit extra and that’s enough. It does what it does, takes its shots, fucks some shit up, and those who liked the first Deadpool will find plenty to like in its follow up.

★★★★

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Deadpool

Cast: Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano, Leslie Uggams, Brianna Hildebrand, Stefan Kapičić

Director: Tim Miller

Writers: Rhett Reese, Paul Wernick


In this day and age when every second blockbuster coming out at any given time is yet another superhero movie, it isn’t hard to understand why some audiences are becoming wearied with superhero fatigue. This is why Deadpool feels like such an invigorating breath of fresh air. There isn’t a single superhero movie out there quite like it. It took a character that most audiences were unfamiliar with and portrayed him using a style that defied the family-friendly thrills of the Marvel movies and the dark, gritty action of the DC movies. This is a film that was uninterested in forced tie-ins to other movies, studio-mandated content and PG-13 audience appeal. The Deadpool crew was focused above all on making a good movie that was true to the source material and that is exactly what they made. It is not kid-friendly and it is not inoffensive; it is the gory, sweary, indecent movie that Ryan Reynolds and Tim Miller set out to make.

Wade Wilson (Ryan Reynolds) is a mercenary with a relentlessly twisted sense of humour who finds his perfect match in the equally depraved Vanessa Carlysle (Morena Baccarin). Shortly after proposing to her however, Wade is diagnosed with terminal cancer and decides he doesn’t want to put her through the ordeal of watching him die. Upon leaving Vanessa, Wade is approached by a mysterious figure who claims that his employer can cure him. This employer turns out to be Ajax (Ed Skrein), a scientist and weapons expert whose experiments subject Wade to an agonising and prolonged period of torture. Wade eventually escapes and discovers that he has acquired enhanced strength and reflexes as well as a healing factor but has also been left horribly disfigured. Adopting an alias as the masked vigilante Deadpool, Wade embarks on a campaign of revenge to track down Ajax and have his disfigurement cured.

What sets this movie apart from every other superhero movie is its wicked sense of humour. From the very beginning all the way to the end, Deadpool is packed with dark humour, fourth wall breaks, over-the-top violence, excessive profanity and visual gags that puts most American comedies out there to shame. At the centre of it all is Ryan Reynolds killing it as the character he has been waiting his whole life to play. He is energetic, charismatic and hilarious as this character and is wholly committed to representing him. Reynolds is an actor I’ve often struggled to go along with, so I’m happy to see that he’s finally found a role that allows him to truly flourish. Deadpool is a supremely entertaining character who perfectly matches the film’s excessive, sporadic, almost cartoonish tone who is at his best when he jumps all over the place dropping F-bombs, slicing heads off and making the most hysterically inappropriate comments possible. I also greatly enjoyed the romance between Wade and Vanessa who share a vibrant chemistry. Their relationship is weird, crazy and unconventional, but it works for them and proves to be quite touching.

Even though Deadpool is identified above all as being a superhero movie, the superhero parts were actually the ones I enjoyed the least. More than anything else it was the humour that made this movie for me. Therefore whenever the film chose to be serious and advance the whole revenge storyline that was taking place, I became less interested. I got that the film needed a villain and conflict in order to progress, but it still felt a little stale to me. Whenever a serious scene came along, it felt to me like a 5-10 minute expository segment I had to sit through in order to get to the good part. It didn’t help that the main villain Ajax was utterly bland and forgettable. The action itself was a lot of fun to watch as it fully embraced its R rating and allowed room for much humour, but I think the comedy may have somewhat overshadowed the excitement.

Deadpool is the exact kind of movie that needed to be made with the blockbuster climate the way that it is. Made with a minimal budget and a surplus of creative freedom, this film has shown definitively that superhero movies do not need to be huge in order to be good and do not need to be all-inclusive in order to be successful. Deadpool is coarse, uncouth, unrefined and unapologetic. It is exactly the movie that it wants to be and is a great pleasure to watch for any viewer not put off by its dark, gimmicky humour or its comically extreme use of violence. My only big issue with the movie is that I found it to be more humourous than I found it to be thrilling. Still, the humour is more than enough to make this an enjoyable movie as it takes just as much pleasure in laughing at itself as it does in laughing at the dozens of other superhero movies that have taken over Hollywood. At the very least, it is certainly a step up from X-Men Origins: Wolverine.

★★★★