Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison Zazie Beetz, T.J. Miller, Stefan Kapičić, Brianna Hildebrand, Jack Kesy, Terry Crews
Director: David Leitch
Writers: Rhett Reese, Paul Wernick, Ryan Reynolds
Comedy sequels are always a tricky business and I could probably count the number of movies that have actually pulled it off on one hand. The circumstances vary but the main problem is usually more or less the same; great comedy is nearly impossible to replicate. When a terrific and unique work of comedy comes along it’s almost like the stars aligning or lightning being captured in a bottle but, once the audience is wise to the concept and the brand of humour, it becomes far more difficult to keep the novelty as fresh, original and surprising as it was before. What makes it even more challenging is that many of the comedies that receive sequels simply don’t lend themselves to expansion. After a premise has been exhausted, sequels will try stretching the humour past the original concept (Little Fockers), changing the format (Evan Almighty), replacing the cast (Dumb and Dumberer), upping the ante (Anchorman 2), or simply repeating what the original did beat-for-beat in an ‘if it ain’t broke, don’t fix it’ kind of approach (The Hangover 2).
When Deadpool was released in 2016, its significance was not to be doubted. It was a project that had taken years to get running, it was made on a much smaller budget than any other superhero movie would have received, and it rejected all studio attempts to make it more mainstream and PG. Miller and Reynolds had to fight to get Deadpool made and the result of their labours was a smash hit that won acclaim for its obscene, quick-fire, fourth-wall-breaking humour and its satirical take on the superhero movies dominating Hollywood. This time around, having proven that R-rated movies can be enormously successful, not only does the creative team have the total confidence of 20th Century Fox and double the budget, it also has the burden of expectation and hype to live up to. It’s in a better position than most comedy sequels thanks to the original comic books with its canon of characters and stories for the movie to draw from, but in order to succeed it still has to try and do what all other comedy sequels have to try and do: replicate without repeating.
The movie once again follows Wade Wilson (Ryan Reynolds), who has kept up the super-anti-hero gig after being reunited with girlfriend Vanessa (Morena Baccarin) in the first film, on his escapades. X-Men members Colossus (Stefan Kapičić) and Negasonic Teenage Warhead (Brianna Hildebrand) enlist his help in relieving a stand-off between unstable mutant Russell Collins (Julian Dennison) and the Mutant Re-Education Centre where he was abused by the staff. Deadpool succeeds in talking him down but then finds that he must protect Russell from an even larger threat, a cyborg mercenary called Cable (Josh Brolin) who has come from the future to kill the boy. To stop him Deadpool and Weasel (T.J. Miller) form a team of mutants (the derivatively named X-Force) that includes Domino (Zazie Beetz), whose power is that she’s “lucky”, Bedlam (Terry Crews), who possesses electro-magnetic abilities, and Peter (Rob Delaney), a guy who thought that being part of a crime-fighting team might be quite fun.
When I saw the original Deadpool, I remember my one major criticism being that the story was quite thin. On rewatch I tried to look at it as a parody of the bland, by-the-numbers plots that superhero movies often have, but it instead became clear to me that Deadpool was simply a funny and entertaining movie with a bland, by-the-numbers plot. Deadpool 2 has a similarly formulaic plot but is at least more self-aware about it than before (in the middle of the second act Wade assures us that if everything goes to plan, we’ll all get to go home early because there’ll be no need for a third act). It also follows the same pattern of being laugh out loud funny except when it’s being serious and it does work in that the funny moment are funny and the serious moments are affective. I just kind of wish that the movie was better at being both at the same time the way that Edgar Wright’s movies can be.
What Deadpool 2 is more than anything else though is bigger than before. More gags, more action set-pieces, more explosions; this movie goes all-out in its effort to out-do the original. There are more characters with a larger variety of powers than before (the highlight here is Domino, whose power turns out to be a lot more cinematic than Deadpool thought), there’s a wonderful chase/fight scene in the middle that thrills and amuses in equal measure, there are dozens of funny, memorable jokes and pop-culture references from Deadpool’s anger at having his own movie get outdone by Logan to the observation that ‘Do You Want to Build a Snowman?’ from Frozen and ‘Papa, Can You Hear Me?’ from Yentl have suspiciously similar melodies to the funniest X-Men cameo since Wolverine’s ten-second appearance in First Class, and leading the charge is Ryan Reynolds who continues to give 110% in every frame. Brolin is also a great addition as Cable, an antagonist who, rather than being a spoilsport while everybody else has fun, gets some laughs of his own through deadpan deliveries and his growing frustration and befuddlement with Deadpool’s antics.
As far as comedy sequels go, Deadpool 2 is comfortably up there with Shrek 2 and 22 Jump Street. It expertly avoids the trappings that other comedy sequels fall victim to by reproducing the humour without recycling the jokes, moving the characters and their stories forward rather than falling back on the status quo from the previous film, and by being all-round creative, clever, and competently-made. Deadpool 2 is funny when it wants to be (another highlight I want to point to is when the musical score in one scene includes an epic choir singing “Holy shitballs!”), serious when it wants to be and action-packed when it wants to be and it’s more or less what you expect it to be, but in a good way. This is a film that knows exactly what it is and is very good at it. It doesn’t reinvent the wheel the way Deadpool did, but it doesn’t have to. It’s basically more of the same, but done a little bit differently with a little bit extra and that’s enough. It does what it does, takes its shots, fucks some shit up, and those who liked the first Deadpool will find plenty to like in its follow up.