Cast: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins
Director: Taika Waititi
Writers: Eric Pearson, Craig Kyle, Christopher Yost
Sometimes I find it hard to believe that just a couple of years ago I was starting to feel fatigued by the abundance of superheroes in cinema. When Age of Ultron came out, it felt like the MCU was beginning to run out of steam and that this would be the beginning of the superhero genre’s decline. But then Civil War happened. And then Deadpool. And then Wonder Woman. And then Logan. The resurgence of superhero movies over the last two years has been astonishing. I keep telling myself with each new MCU release to remain critical and to not get swept away with the hype, but with their subsequent releases of Doctor Strange, Guardians of the Galaxy II, and Spider-Man: Homecoming, they’ve been on a hot streak that shows no sign of slowing down. Now with Thor: Ragnarok they’ve knocked it out of the park once again and my inner twelve-year-old self is doing cartwheels and screaming with delight.
After an unsuccessful search for the Infinity Stones, Thor (Chris Hemsworth) returns to Asgard upon learning that his father Odin (Anthony Hopkins) is no longer there. There he finds his brother Loki (Tom Hiddleston) impersonating their father and orders him to reveal where he is hidden. They find Odin on Earth where they learn that he is dying and that his passing will allow his firstborn child Hela (Cate Blanchett) to escape from the prison where he has held her for millennia. Hela emerges upon Odin’s death, destroys Thor’s hammer, dispatches of her brothers and makes her way to Asgard to begin her conquest. Thor winds up on the planet Sakaar where he is captured by the bounty hunter Scrapper 142 (Tessa Thompson) and becomes a prisoner of the Grandmaster (Jeff Goldblum). He is made to fight as a gladiator and is reunited in the arena with his good friend Hulk (Mark Ruffalo). However Asgard and its people, under the care of Heimdall (Idris Elba), remain in danger and so Thor makes it his duty to assemble a team and defeat Hela.
Even though Thor has always been one of the Marvel franchise’s most enjoyable heroes and Loki remains the undisputed champion of the MCU villain hierarchy, neither of the Thor movies have been particularly great. It always bothered me that Marvel had this wondrous mythological-fantasy universe at its disposal and yet insisted on moving the action to Earth with its familiar settings and (relative) realism and Jane Fosters. There is none of that here. Ragnarok fully embraces its realm of sci-fi/fantasy and is never afraid to go too big or too crazy. The movie draws its inspiration from the campy fantasies and space operas of the 70s and 80s like Logan’s Run and Flash Gordon and creates what truly feels like a comic-book universe. The costumes, sets and scenery are extravagant and cartoonish, the retro-techno music perfectly complements this disco neon-lit pop art sci-fi tone they’re going for, and the colours are so saturated you’d swear you were on a Magical Mystery Tour with the Beatles. Sure, the CGI landscapes, creatures, and battles don’t look at all real, but man do they look great.
This movie takes on a much more comedic tone than the non-Ant-Man Marvel movies are used to, thus requiring Hemsworth to put his comedy chops to the test, and he seriously delivers. As the macho, charming, ridiculously handsome god of thunder Hemsworth has always been fun and likeable but here he reaches new heights and makes Thor seem more human than ever before, whether he’s thoughtfully reflecting on his responsibility to his people that he has thus far neglected or he’s bumbling around like a goofball. Hiddleston is as good as ever as the devilish trickster Loki whose leanings between good and evil are forever going back and forth minute by minute, as is Ruffalo who shines in his dual roles as the exasperated Banner and the reckless Hulk. (In an odd twist akin to Deadpool being the best of all the X-Men movies (before Logan anyway) Thor has provided us with the best Hulk movie to date). Thompson holds her own as the hard-boiled Valkyrie admirably, Goldblum with his idiosyncratic tics and unique line deliveries is wonderfully employed, and Blanchett… what can I even say about her? Some actors can chew scenery; Blanchett devours entire sets and looks fabulous doing it.
This is the Thor movie I’ve been waiting for and it was well worth the wait. It was funny, exciting, colourful and utterly rewatchable. The dramatic moments might not have been particularly deep and parts of the plot might have been a little predictable, especially in the third act, but that’s okay. Sometimes all a great movie needs to be is great fun. Thor: Ragnarok is so much fun to watch that even the jokes I had already seen several times in the trailer, like Thor’s reaction when he meets Hulk in the arena (“I know him! He’s a friend from work!”), still got a laugh out of me because Hemsworth is just that good. The last couple of years have been an interesting time for superhero cinema and have seen some real gamechangers to the genre. Thor: Ragnarok is not one of those gamechangers, but it doesn’t have to be. Sometimes, all you need is an awesome protagonist battling a fire demon while ‘The Immigrant Song’ by Led Zeppelin plays. This movie has that, and then some.